
We seek them here
We seek them there
In a park
Up a hill
Down a hill
On a beach
Through a wood
At a mall
Near a creek
Cross a road
Over a cliff
Where are those
Little Pokemons?
© Neil Dufty

We seek them here
We seek them there
In a park
Up a hill
Down a hill
On a beach
Through a wood
At a mall
Near a creek
Cross a road
Over a cliff
Where are those
Little Pokemons?
© Neil Dufty

The plain: uniform terrain. Plains-people: strong, resolute against drought, flooding rain … and the boredom of the plain. Does the rain fall mainly on the plain? What about the orographic effect? You’ve probably guessed by now that this is a planar poem – as flat as the plain: it rambles across this plain page. A road train rumbles through the plain to make noise to liven up the plain. The plains-wanderer is a bird that wanders across the plain trying to find and eat something that likes the pain of the plain. It builds a mound to lay its eggs and make a mountain out of a molehill … or is that bird the mallee-fowl? The plains-wanderers sometimes get run over by road trains. Stratus clouds work in parallel with plains. Planking is people trying to be plains. I would like to live on a plain, then I wouldn’t fall down a hill like Jack and Jill. Life can be a real plain: they always want you to stay calm, not show your emotional highs and lows. Have you felt emotionally controlled before? That’s a plain. And when you die and your heartbeat stops, the line on the machine you are attached to shows a plain; a plain life from birth to death. This poem is flat-lining: it’s dead. Mirages are shimmering, glitzy sirens like the Lorelei that lure you to keep travelling across the plain (beware of plains-wanderer’s mounds, road trains, bored plains-people, and death). Plains of the world unite as one – the prairie, the tundra, all plains come together and adopt a flat earth policy. But then, see, if you’re in a plane and you look down, the plain is not plain, it is: Creased, Cracked, Contoured, Colourful
I
Now
Have
A
Different
View
Of
The
Plain.
© Neil Dufty

I want to be like Kim Kardashian:
Low on talent but o so flashy and
I want to be like Johnny Depp:
Captain Jack Sparrow and o so hip
And I want to be like Donald Trump:
Mega-rich, so ready to give the dump
And I want to be like Queen Elizabeth:
Pomp and splendour, with plenty of breath
And I want to be like Justin Bieber:
So many fans and big on social media
And I want to be like that doll called Barbie:
Perfect body, perfect hair, perfect in every way
And I want to be like that man, The Pope:
Followers everywhere, giving plenty of hope…
So many to choose from, confusing it can be,
On reflection, I think I might end up being me.
© Neil Dufty

TATOO
I think I will get a tattoo, or two,
Of you
Or a sleave with some serious ink,
In pink
May be something in words so felt,
Not misspelt
I’ll get them all over, even near the ear,
No fear
Looking like Joseph’s cloak, I’ll be the bloke,
No joke
But then I think of the pain, the pain, the pain,
Refrain
And when I’m ageing, skin dried and wrinkling,
An inkling
That I should have covered in kid’s transfers.
© Neil Dufty
YOUNG
New look
Look look
Partook
Feel crook
Called sook
Mistook
All shook
© Neil Dufty
OLD
Nose hair
No hair
Calf tear
Gasp air
Wheel chair
Welfare
Aged care
Life bare
Not fair
© Neil Dufty
– Mummy, can we sit here?
He opened an eye.
– No, not there, Victoria. Further down the carriage.
Both blood-shot eyes open.
– Why not here, Mummy?
His eyes recognised two figures in front of him: one short, one tall.
– Don’t argue with me, Victoria. We are not sitting here. Let’s go now.
– But why can’t we sit here? Is there something wrong with this man?
– Victoria, don’t argue with your Mum. We will find another seat.
Victoria, you’d better do what you are told, he thought. Can’t sit near a scruffy thing like me, lying down. I’m sure Mum will tell you later to beware of vagrants/ homeless/ bums/ dirty old men/ paedophiles or whatever description she thinks applies to me. She probably won’t tell you, Victoria, that we (whatever term) are people, yes people, that live and breathe like you Victoria, but have fallen on hard times.
As he dwelled on his lot (again), his glazed eyes started to focus on his surrounds: seats; the usual early morning commuters; and, directly in front, a column of nascent sun beaming down to something that glistened.
His eyes concentrated on the lustrous object. It was a necklace.
He slowly rose, tentatively looked around for the potential owner, and with no acknowledgement from the crowded carriage, grabbed the necklace.
Furtively under his overcoat, he examined the treasure. Wow, this is my lucky day! For on inspection the necklace was a dazzling array of what appeared to be diamonds coupled with colourful gems. Even if fake it would have value, but if real, then this really was his day.
Not a religious man, he believed in Providence: that God or someone was watching over him, that this higher being would someday rescue him. There were others like him that ended it all in a stupor of booze, drugs or by jumping in front of what he was on. He was different. He was still hanging in there, waiting for help, and help had arrived. He’d done his time.
He hypothesised that the necklace must have dropped from a wealthy party-goer heading home in the early hours from the city. The broken clasp supported his theory. She might have caught the necklace on something, or in a boozy state flicked it with her hand, or lost it whilst playing around with her escort. Off the train, she awoke to the fact that it was gone, but all too late. It was his now.
Although hungry – as he always was – he had to decide what to do with his ‘prize’. Making important, life-changing decisions was not commonplace for him. His main decisions were made through a haze of hunger, tiredness and hangovers from whatever alcohol he could get his hands on. The decisions were those of survival: which way to get food, to get sleep, to get grog. And how to avoid the transit officers and cops who would always evict him from the trains (then they’d try to fine him – fact chance he’d pay at ‘no fixed address’!).
But now he would really have to decide something – what to do with this necklace. The train would soon be terminating; the rail staff will be cleaning out the train of rubbish, including him.
He summoned all vestiges of rational thought. He identified three courses of action:
1. Hand the necklace in to authorities at the station
2. Cash the necklace in and use the funds himself
3. Give it to Shaz to get back in the ‘good books’.
The first idea was honourable and he could be rewarded. But would he get a reward for handing the necklace in? Knowing his luck he would get a ‘thank you’ and the station clerk would get the reward. Or there would be no reward, and he’d be back to living on the trains.
The second option had more merit, he mused. He would get some financial benefit that would enable him to live in a swanky hotel, for a while. But would a pawn shop believe a down-and-outer like him? They’d probably call the cops and then he’d be up on a theft charge. However, there was always the ‘street market’ – he had connections.
And then there was Shaz.
Shaz had been both his strength and his weakness, he reflected. Their relationship was like a tropical climate: warm and languid most of the time, punctuated by violent cyclones (the bust-ups). The ‘Shaz 4 ever’ tat on the inside of his arm reminded him of their bond. I’ve burned for you, he reminisced.
He’d had a job as a security officer, but when he lost his temper (for the umpteenth time) and Shaz booted him out (for the umpteenth time), he went on a booze binge, and didn’t turn up at work for days. Who wants an insecure security officer?
But Shaz could be impressed by the necklace, and might allow him back to into her home, her room, her pants. He could make up a story about how he’d earned the money to buy it just for her from a new job. I’m turning my life around Shaz, things will be better this time, you’ll see. On the other hand, she might take one look at him, remember the ‘dark old days’, and no necklace might help.
The train was terminating.
What to do?
He bolted out of the train, jumped the turnstile, and strode off to a better life.
© Neil Dufty
I thought that I’d take a photo of myself
As ‘selfie’ is the most popular new word,
So I asked my daughter to provide some help,
For my snap might turn out quite absurd.
“Place the phone in front of you just like this,
See Dad, it is so such a piece of cake,
Now smile and click, you can hardly miss,
You’ll find a selfie is so easy to take!”
Now here I am in front of the Eiffel Tower,
I’d like to be seen with the Tower I confess,
So now is the hour, there is no time to cower,
I turn the phone to me and button I did press.
But a first look at the pic has made me so glum
As the only thing I see of ‘self’ is my big thumb.
© Neil Dufty