Why fly?

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Why do we get so excited about flying?
Why are we so keen to get on the plane?
Fourteen hours aloft is certainly trying,
We must have some masochistic vein!

Why do we want to breathe other’s germs?
Why lump together in some kind of maul?
Our neighbour not decided on our terms -
We are certainly in it for the long haul.

Red eyes, your body contorts trying to sleep,
Child screams, neighbour wants to be your mate,
Food that you would never normally eat,
Hey, your destination will have to be great. 

So, remember when it is so hard to snooze,
You could be lapping it up on a cruise.

© Neil Dufty 

Onesie

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One
all alone
in my Onesie
I once won my Onesie
at a show
It’s a skeleton Onesie
They say One is the loneliest number
but I’m not really alone
I’ve got my Onesie
And now I’m snuggled up
in my Onesie
on the couch
And I think to myself
what if all the world
was like a Onesie?
we wouldn’t be separated
all for One, One for all
together forever
We’d be
One
see

© Neil Dufty

The Love Text of J. Rodolfo Prufrock (a short story)

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How difficult is it to check if you have a bald spot in the middle of your hair? Sure, you can have a feel around and try to identify some missing hair on the top of your head, but to do a visual test is difficult.

Prufrock was doing just that as we home in on his life. He had learnt that by using only the bathroom mirror it was impossible to do the visual check, as you had to drop your eyes down to enable the mirror to pick up the location of the potential hair void. And if you turned around to show the mirror the area in question, your eyes would be facing the wrong way to see anything.

Now manipulating two small mirrors – one at the back of his head and one in front of him – Prufrock ingeniously (his view) confirmed the murmurs, then mutters: “How his hair is growing thin!”

He sat back dejected. This just added to his funk. Was it mid-life crisis? Was it the onset of depression?

Slumped in the chair he tried to psychoanalyse his feelings. His childhood was rather nondescript. Nothing really there to help explain it, he thought. However, he did feel he had to live in his father’s footsteps – at least, his name. See his father – originally named ‘John Brown’ – had searched for his own identity. May be the malady is hereditary, Prufrock mused.

Father had fallen in love with T.S. Eliot (the famous American poet, long before deceased). He then had some Eliot-driven epiphany involving leaving mother, and him doing several degrees in literature (majoring in the poetry of Eliot) and becoming an Associate Professor of Eliot (sorry, Literature specialising in Eliot) at some obscure overseas university.

Father was so smitten with Eliot that he’d long ago changed his name by deed poll to ‘J. Alfred Prufrock’ – a character in an Eliot poem who was searching for himself. And to make matters worse, just prior to father’s departure, and through some weakened state of mind (e.g. wild sex, drunken stupor), mother had supported the naming of the newly-born child as ‘J. Alfred Prufrock Jnr’.

Mmm, my name could be a factor in my malcontent, the younger Prufrock pondered.

And this given name had been a cross to bear. With literally no father (albeit having a literary father), Prufrock discarded the ‘Jnr’ as soon as he could by deed poll. He had heard that ‘Alfred’ was a relatively common second name (this author’s middle name is Alfred), and not wanting to expand the ‘J.’ (which had to be ‘John’ as per his father’s former name), he thought he would replace ‘Alfred’ with the exotic ‘Rodolfo’ to spice up his image through the juxtaposition of Spanish with Anglo-Saxon words. It might attract some woman (Julio and Enrique Iglesias were big attractions to English-speaking ladies!).

To make matters worse, in his country the use of the nickname was rife. Like a pagan ritual, all males would receive at least one ‘other’ name (some that could not be repeated in this story) in their youth. However, most nicknames were reasonably unimaginative e.g. Daniel = ‘Danno’, Johnson = ‘Johnno’, Smith = ‘Smithy’. There were some more lateral thinkers though, and Prufrock was affectionately dubbed by one: ‘The Skirt’ – derived from the latter syllable of his surname. The name stuck and introductions to ladies went like this: ‘I’m Danno, this is Johnno, this is Smithy and over there is The Skirt’ (he wished they’d call him ‘Rodolfo’). This didn’t help his woman-chasing cause.

So here he was in his thirties, living at home with mother, with a weird-sounding name, an effeminate nickname and without a woman (or even a date). He felt he was going nowhere, like he was wedged in a vice between his past (youth) and his future (old age – ‘shall I wear the bottoms of my trousers rolled?’). Thirties was supposed to be fun according to the ‘Friends’ show on TV. Sometimes he wished he would be a pair of ragged claws scuttling across the floors of silent seas (oops, was that a quote from Eliot?).

It was now time for him to act – for decisions, visions and revisions. Break out of the melancholy. He made a list of improvements:

  1. I will be assertive in using my new (real) name; no, it is not ‘The Skirt’, it is ‘Rodolfo’ ladies.
  2. I will get a bachelor pad. Goodbye, mother.
  3. I will forget my past. Goodbye, father
  4. I will get a hair transplant.

But how to actually woo a woman? He had had numerous opportunities – nightclubs, bars; he’d tried them all but to no avail. The result was nil. They didn’t care about a flash name or full head (almost) of hair. They seemed preoccupied. In the room the women come and go talking of Michelangelo (another Eliot-ism, well they talked about something, but not him).

So, he tried online dating. He had posted his profile using a grainy photograph (not too much detail – woman can air brush theirs), highlighted his saucy name in bold and tried to lift his unremarkable past through some imaginative description. And he did get one email reply. Excited he replied. I’ll text you, she said. Sure, he said.

She: OMG u Rodolfo?

He: certainly, Rodolfo is my name. What are you doing?

She: JC

He: what?

She: YSAN

He: what are you saying?

She: 4COL

He: For Col, I’m not Col!

She: LOL @ u

He: LOL oh, you mean Lots of Love. Do you love me already?

She: WTF Go Away!

That love-text didn’t seem to work out. He stood up, emboldened.

            5.  I will get a text word dictionary.

© Neil Dufty

Train (a short story)

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He wanted to feel secure in the warm womb of the train.

He was a long distance commuter: one of that hardened breed that criss-crossed the city every day. One of the many who sat in cars, buses, trains, trucks, trams, ferries etc. for hours; ‘downtime’ they called it. For what? Work = Money = A Lifestyle Back Home.

These were the ones that saw little sunlight: up before dawn, back home after sundown; urban troglodytes living in a work/commute cavern only really seeing the sun on days off. And without sunlight, and quarantined by the commute, they existed in a fugue state; hazed, dazed eunuchs neutered by routine; metronomes swinging to the money tune.

And their cityscape – when it could be seen – offered little respite, the backblocks a wasteland of factories, weathered infrastructure and decaying suburbs. A rusting, unplanned urban mess.

For the commute he had opted for the train long ago. The car was dear to run; the expressways were scary. And buses, ferries, trams were out of the mix of options – they didn’t go his way.

Each morning, he would rush down to the station to jostle for a position to be first on the train, in the same carriage, in the same seat. And do the same on the return journey. Every working day. If this all worked to plan, and the trains ran on time, it would be a ‘good train day’; if things didn’t work to plan, he felt dishevelled, out of kilter i.e. ‘a bad train day’.

The train controlled his moods.

But unlike most of his colleagues-on-the-train, he had train insomnia. The others slept in the morning, slept at night. And he, he couldn’t sleep, not even a wink. You would think the repetitive clickety-clackety of the moving train coupled with its gentle sideways rocking would be soporific, as sleep-inducing as being rocked in a cradle. But no, he was wide awake.

And what do you do if you can’t sleep for hours in a train carriage? You could:

  • read
  • eat
  • do a brain-teaser
  • do something techno
  • twiddle your thumbs
  • do nothing
  • gaze out the window at nothing
  • watch others

He opted for the last on the list. ‘Trainspotting’ he called it.

They were creatures of habit these habitual ‘trainers’, sitting in the same seat, going through the same rituals. However, when not sleeping agape like clowns in a sideshow or snoring like grunting pigs, they showed glimpses of personality. He enjoyed watching them.

Always in the front seat on the left-hand side was ‘The Wizard’ (he had a name for all the regulars in his second last carriage). The Wizard, when not asleep, would conjure up a way to draw some newcomer into a conversation around a pet topic. The magic was in the method. For example:

Wiz: Nice day?

Newcomer (NC): Some rain is forecast

Wiz: Rain? Did you ever see that movie ‘Singing in the Rain’?

NC: I don’t watch many movies, but I thought I saw it many years ago

Wiz: Oh, you talk about movies. Have you seen the one I’m watching at the moment called ‘Vampirelicious’?

NC: No, but it sounds…well, interesting

Wiz: Let me tell you about it and vampires…

Another newcomer was under The Wizard’s spell of vacuous verbiage! Canny Wizard, he thought.

And there were others he watched that succoured his interest. In the second back row on the right hand side was ‘Mister Trivia’. Trivia was behind his own seat (which was on the window on the left in the sixth row from the front), but he could always hear Trivia. When not snoring, Trivia would, extremely loudly, conduct a phone conversation with another quiz buff that involved practising the answers to possible trivia night questions (how many possible questions could there be? he thought). For example, Trivia might call out ‘What is the capital of Botswana?’ ‘Is it a. London? b. Gaborone? c. Guatemala City?’ And a discussion around the correct answer ensued, and then more questions/options/answers, broadcast to all that were awake. All trivial pursuits, he thought.

And across from him always was ‘The Lady’. For most of the journey Lady slept cocooned in a blanket, probably dreaming of walking down a Paris catwalk in some exotic gown. For The Lady liked glamour, or pretensions to glamour. An automatic alarm would then ring in her brain with fifteen minutes to go on the journey. She would spend this remaining time pimping, preening, prodding her face, pasting on mascara, blush, eyeliner and whatever else glamour-inducing that was in her makeup bag. He thought of Eliot’s line: ‘to prepare a face to meet the faces that you meet’.

He could accept these same behaviours from these same people.

But rapid change came to the train. The Wizard was now only an infrequent passenger (may be Wizard had a new job in marketing, he thought). Mister Trivia was nowhere to be heard (may be now a game show host?) and The Lady, although still a regular, no longer put on a face but went au naturel (had she found a fellow or religion?). And many of the other ‘names’ changed in some disturbing way. Maybe it was the financial crisis? Or some type of pandemic? Or a drop in petrol prices?  

To add to his resultant voyeuristic angst, newcomers were invading the carriage. These newcomers were either ‘one-timers’ or those that didn’t care what carriage or seat they sat in. And their irritative behaviours:

  • Chip-crunching
  • Apple-munching
  • Mobile phone-arguing
  • Baby-screaming
  • Nose-snuffling
  • Lolly-sucking
  • And, worst of all, newspaper-scrunching.

These were not minor disturbances; collectively, to him they were major geological upheavals to the stability of the train: tremors that shook his world.  ‘Bad train days’ now far outnumbered ‘good train days’.

But what could he do? He loved the train – when it was the same, ordered. And the non-train options were out of the question. So wracked by anxiety he pondered his train future: how to embrace his love of train routine and control the irregularities.

And then it came to him – he would give his life to train.

Several months later, it was time. It would only take one step. He nervously glanced around at the surrounding passengers. What would they think when he did it? Would they respond? Beads of perspiration dripped off his brow. And summoning all his inner strength, he stepped…off on the platform and commenced his first day as a trainee train guard.

© Neil Dufty

The two minute poem

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Like two-minute noodles
There’s not much to them

Add some words to the page
The odd verb 
Mix around
And there you have it
A little poem
Made quickly
That can be consumed 
Quickly
Like this

© Neil Dufty 

Lost in cyberspace

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Is there anyone out there? 
I am calling from afar
Can anybody answer?
Quiet is becoming par.

I’m seeking cyber-friends
Ones who will always post
My site I will always tend
To become the perfect host.

Ah, words start to fill the void
A message from a ‘friend’?
Annoyed to being buoyed
This is a better trend. 

Oh, reading the mail from this other
I find it is only from my mother.

© Neil Dufty 

SONNET ∞: A take on Shakespeare’s Sonnet XVIII

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I will compare you to my computer, if I may?
You are more lovely and more considerate;
Rough deals and plenty of crud are on Ebay,
And I haven’t been able to find a cyber mate:

Sometimes it won’t turn on and wastes time,
And often its monitor screen goes dim;
And I think its ability has greatly declined,
Like a mobile phone with a faulty SIM;
 
But your very being will never ever fade
Nor lose possession of its sense of humour;
And I apologise for all the errors I’ve made,
Please delete, and assign them all to rumour:

So long as we can breathe and our eyes can see,
You will always be better than a machine to me.

© Neil Dufty 

The standoff at the Deni Ute Muster

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Slowly they turned and faced each other,
Like two maddened bulls ready for gore,
Tearing at turf, no place for mother,
There was one big fight for us in store.

The tension was palpable, crowd on edge,
The drought had worsened this Great Divide,
The two combatants symbolised the wedge,
Strong feelings they could no longer hide.

It all came down to the muster at Deni,
The place where all the brute utes meet,
These two stood out in a field of many,
Why had they decided to turn up the heat?

City versus Country, Coast versus Plain,
The differences were plain for all to see,
A feud that couldn’t be dampened by rain,
This would be well worth the entrance fee!

On the left, the ute from the city Big Smoke,
Lime green, with a bull bar ever so small,
Tinted windows, mags, right for town folk,
Most thought it was destined for a fall.

Atop this fine ute were things protruding,
Like a pin cushion its spikes ever so taut,
What’s the ute’s use? had all of us concluding,
Dubbed it ‘Echidna’, or ‘Echy’ for short!

On the right, the ute from the fabled Bush,
From somewhere west of Bullamakanka,
With a bar that’d give a big roo a push
Who’d want to call this ute a (bad name)?

This bush ute was not the latest version,
Seen better days, it was a right real ruster!
To young ladies it had a strong aversion,
Poor suspension made it a ‘filly buster’!

Facing they frantically spun each wheel,
Headlights eyeing each other for a flaw,
But neither moved forward to seal the deal,
A standoff reminiscent of the Cold War.

Slowly they dug themselves into the sand,
And there they stalled with no more in store,
With no crowd willing to give them a hand,
The standoff would now last for evermore.

So still they stand in the paddock at Deni,
Memorial to the folly seen by us all,
Near them a sign to be read by the many,
It reads: ‘United in sand, divided we stall’.

© Neil Dufty 
 

Homer the Pig

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Out West there’s a yarn to tell, just the one or the two,
The parched plains seem to breed the oddest of tale,
Stories about snakes, the roo and the outside loo too, 
But this one’s ‘bout a pig: his love of egg and an ale.

Now my friends I’ll try not to overdo the piggy-type pun,
No porky pies (oops), no tall stories, this one is no bull,
Now from all of my spies, our pig is a very big ’un,
And he drinks most men under till he’s all but full. 

How this pig originated who really knows how,
I won’t bore you with all the theories for now,  
Some say from a feral boar and a domestic sow,
There are some that say his mum was a cow!

Now they say that his looks are so hard to describe,
A mix of black and red and some flecks of off-white, 
He’s as tall as he’s wide, there’s just nothing to hide,
So there’s no chance at all he’ll be taking to flight.

Someone gave the name ‘Homer’ to this gargantuan pig,
No chance he was named after the wise scribe of yore,
So he must have been named after the show that is big,
As that Homer has no manners and will eat off the floor.

A pig of inaction he would stroll down the street, 
And would reach the pub door at four o’ the clock,
He’d always arrive, either in the cold or the heat,
And show he was there with a grunt and a knock.

When inside, being Aussies, the bar would all shout,
They’d share it around for the pig could not pay,
And he’d stick with the best before they threw him all out,
Egg centres and many beers he’d have all put away!

‘Centre of eggs’, you say, have you reason to doubt?
Yes, he’d crack the eggs open with his own massive snout,
And suck the middle out with his cavernous mouth,
Leaving all the whites over as trophy of his rout.

Now the story goes that a bloke from the big smoke,
Had been told of the porker with the liking of egg yellows,
And he thought he would buy Homer before he might croak,
Take him back to the city and brag to all of his work fellows.

Now before the flash dude could bring home the bacon,
As the bid was placed there were frowns all around,
‘Who could take an icon? This guy has to be fakin’!’
And without further adieu he was run out of town.

So news of the guy’s exit got to folk and their relos,
And all of the West now tells this big swine of a joke,
As the pig continues to slurp the beer and egg yellows,
It’s known as the joke ‘bout ‘buying a pig in the yolk’!

© Neil Dufty 

The B-Side

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I almost did not make this poetry book,
These words were lucky to get a fair look,
And the indignity I will now have to face,
They placed me in this ‘Whatever’ space.

See I’m here just to make up the numbers,
A used car amongst brand new Hummers,
A poem that sadly is not seen as gloss,
I’m at a loss to see why I’m destined for dross.

I’m the B side on those forty five vinyls,
The tune that never makes best song finals,
And now with all that new technology,
I might not be included at all on CD.

I’m the film footage that you never did see,
That you would not even see if it was free,
I’m lying on the floor in that film archive hut,
Only to be shown if there’s a Director’s Cut.

I’m the bench player that never gets a go,
I’m sure I have got some talents to show,
There is a battle for others to be fought,
But all I do is clean up the court.

I’m the kid that’s picked last at our school,
Why do they think I’m some kind of fool?
So I can’t catch, when they play that game cricket,
But why make me stand there as their wicket?

So you might think I’m some kind of loser,
But before I get upset and totally lose it,
History serves up plenty of surprises:
The turnarounds, upheavals and reprisals.

See the Phoenix can rise from the ashes;
The flip side can become one of those hit smashes;
The bench player can get a chance and take it;
The kid can become a brain surgeon and make it.

And even you have read till the end of this poem,
It shows they were right to give it a poem home,
So it might be worthwhile for me to smile a while, 
For ‘losers can be grinners’ and ‘grinners are winners’!

© Neil Dufty